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Ernest Prakasa is trying to tell in the Ngenest film. In this film, Ernest as the director who also as the main character tries to describe how Chinese ethnic as a minority in the Indonesian society with all kinds of problems and impact that must be accepted. The purpose of this research is to find out the representation of Chinese
Komika Ernest Prakasa mencoba peruntungan baru dalam dunia perfilman Tanah Air. Pria Tionghoa ini memberanikan diri untuk menjadi seorang sutradara dalam film terbaru garapan Starvision, Ngenest. * Fakta atau Hoaks? Untuk mengetahui kebenaran informasi yang beredar, silakan WhatsApp ke nomor Cek Fakta Liputan6.com 0811 9787 670.
researched Ngenest by using semiotic analysis to reveal the discrimination elements of the film. Widyasmara, et. al. (2017) analyzed Ngenest by focusing solely on the representation of ethnic Chinese in the film. Despite the quite extensive researches on Prakasa‘s role as Chinese-Indonesian in films, there are no articles yet
This research purpose to know the representation of racism against Chinese ethnic in Ngenest movie. The theory used in this research is the theory of John Fiske semiotics. Concepts related to this research include mass communication, film, representation and racism.
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